Author: TIIIJPD

We’ll Help You Party Down – Portland, OR 03.31.1993

Phish — Roseland Theater — Portland, OR 03.31.1993

I  Jim, Foam, Sparkle, Melt>Mound, PYITE, Sample, Reba, IDK, Bowie

II  Lengthwise->Maze, Bouncin’, Uncle Pen, Hood, BBJ, Ice, YEM, Harpua, CDT

E  Bag, Adeline

Further up I-5 and on the following evening from their stop in Eugene the band was in Portland for the start of a two show stand at the Roseland Theater (nee Starry Night before an ownership change in 1991) and their fourth of five total times playing the venue (the last would be the following evening). This one comes off like the hot, sweaty affair it assuredly was as the playing is loose and free throughout both sets. Sure, there’s some feedback to be dealt with on this tape but there’s also some fun jams, a bunch of teases, and a couple of other little oddities to cover with this one so let’s get down to the nitty gritty.

Things get off to a good start with another solid Jim jammer, as they are continuing to be patient with this one, letting Mike and Fish play a bit after the drop before the full band comes in for the rousing finish. We are still in the sandbox on this one but the inklings are forming. Next we get an energetic Foam and then Sparkle before they drop into Melt. While this version stays mainly true to form it is a very energetic, up tempo version that’ll make you yearn for the precision of years gone by. A manageable Mound, a punchy PYITE, and a suitable Sample get us through the midsection of the set before our girl Reba pops in for a quite lovely version that is oddly undervalued in everything I have seen about this show. The composed section is pretty well nailed and then the jam is just one of those beautiful uplifting hose peakery sections with Trey throwing out all sorts of ideas along the way. Maybe I’m overselling it, but maybe not. You decide. Then in IDK we have Madonna on the washboard for a slightly different take than the trombone stuff before they kick off a set-closing Bowie that is also fairly under the radar when looking at this show. You have the standard SL in the intro (AFD, Simpson’s) and then they just take us on a patient journey through the Bowie world, departing around 7:00 with some clever leading from Trey that carries through to the end which resolves in fine fashion. This is definitely a Trey Clinic Bowie if you are into that sort of thing which you should be if you are listening to ’93 Phish cuz that’s kinda a big part of the deal back then.

After the break they come out with a tune that isn’t new exactly but that had never yet been played as a set opener. Fish starts up Lengthwise and by the time he gets to the last couple of rounds the crowd is right there with him, allowing for a perfect segue right into that song’s album brother Maze. It is interesting that this pairing had yet to occur before this show considering their placement on the then recently released album but here we are. And from here it would become a more common thing, as of the fourteen times the song has been played since 03.31.1993 Maze has followed in eight of those. Additionally, eight of those fourteen have been to kick off a set or encore and six of those headed right into Maze. So the Maze. Right. This one is just another fiery shred heaven version with Trey really out front for most of the jam and then we are off to happy time with Bouncin. A quick stop for Uncle Pen and then the first jam highlight of the second set is upon us as Hood starts up (if you are counting at home that is quite the high number of Fish-started tunes on this evening). This Hood starts out with some SL (Simpson’s) and then once they hit the jam they throw in a couple of teases (Odd Couple, Pink Panther) before bringing it all back for a nice finish. Not the biggest version ever but nice and clean and sticks the landing. Next there’s a quick BBJ before we have what seems to be a standard Ice but wait! I read in a couple of places that this one had an ending that one would know from another (future) song but until I listened to both I thought it was probably a stretch. So go cue up Axilla II and listen to the coda/outro and then come back to this Ice, focusing on the part at the end right before they go into YEM. Yup. It’s there. You might have to DL the show because some of the streaming sites elide some of the end bits on some of these tracks – which is relevant to some funny banter later on in this show too, but we’ll get to that. So yeah, that’s a neat little thing. Then we have YEM and for this one Trey rides rhythm for the majority of the jam, allowing Page to shine on the organ for the bulk if it before he comes in strong at the end right before a quick D&B that precedes the VJ. And looking back, that is clearly one of those sentences that taken out of context would make absolutely no sense to the uninformed reader. But I digress. Next we have our second Harpua of the tour and this one is a nice “I remember…” story that harkens back to his times in Gamehedge, some mention of submarines (the roots of TTE, perhaps?!?!) and eventually gets to Jimmy watching Beverly Hills Cop (cue the Axel F tease – definitely a nod back to the 03.28.1993 show where it popped up in the soundcheck and again in the Antelope) before Trey tells him to turn it off so he can get his Stones on with a little ‘She’s So Cold’ quote before they come back to the fight and bring it all home. Throw on a rocking CDT closer for good measure and your set is complete. Your encores are Bag and Adeline tonight and along with the Bag being a rare treat at this stage Trey tells a funny thing between songs about how one of his heroes Bonnie Raitt is playing in town that night and how he has a crush on her. Ginger love knows no bounds, for sure… Adeline gets a dedication to Nina as she lost and had found her ID which Trey returns to her from the stage. Nice Guy Trey helping out!

So what’s the tale of the tape here? This is another one that I can’t rightly recommend you go spin top to bottom because there’s a lot of stuff that just doesn’t really do much. But when they hit here they hit well. And with that in mind I’ll say check out the Melt, Reba, Bowie, Hood, YEM, and Harpua (if you are into the whole story time Trey thing). If you haven’t noticed by now, I’m finding more nuggets to share in these shows as we progress through the tour. Sure, many are of the same song time and again but overall the fact that the level of playing and cohesion has improved is easily evident and I’m just reflecting that as well. It’s a win-win for all of us!

Next up is the second night from this venue from an April Fool’s Day gone by where rumor and speculation led to some typically phishy humor.

As a site news note, once I hit the end of the West Coast run on this Spring ’93 tour I’m going to shift to something a bit more recent. That’s four more shows if you are keeping track at home. Not gonna spoil which tour just yet though…

Qu’est-ce que c’est – Eugene, OR 03.30.1993

Phish — Hilton Ballroom — Eugene, OR 03.30.1993

I  Buried Alive>Poor Heart>ATR, Golgi, MFMF, Llama, Esther, Stash, Glide>Divided, Cavern

II  Cup, Rift, Tweezer>Lifeboy, BBJ, Weigh, Mike’s>H2>Paug->Psycho Killer->Paug, Horse>Silent>HYHU>IIOHAB>HYHU, Reprise

E  MSO, Grace

After a night off to successfully negotiate the border crossing into Oregon and make their way up to Eugene, the band again graced the stage for an evening of frivolity and fervor in a somewhat uneven show that vacillates between raging, open jams and slightly botched compositions.

Things get started fine enough with a Buried Alive>Poor Heart>ATR segment that while not anything special is sure to get heads bobbing and feet tapping. Then we have a somewhat oddly placed Golgi which, okay sure, before they start to take things in a darker direction with MFMF (even though this one has a Sesame Street theme tease and the acoustic intro). This one stays in the box before we get to a quite shreddy Llama where Trey even throws in a little Can’t You Hear Me Knockin’ (CYHMK) tease just to keep everyone honest. After that we have Esther and this one starts off with a little SL (Random Note) and HYHU tease from Page before they dive into the song in earnest. It is a tad shaky at times but always nice to hear. From here we arrive at the first big highlight of this show which is a Stash that almost immediately departs from form once they finish up the verses. CYHMK is back again but played with a bit more before they dive deeper, eventually bringing it all down in building tension before ratcheting it all up towards a solid end peak. This Stash is notably one of the early examples of the band going completely type II with this song as it isn’t until the end peak that they really return to the main theme at all once the jam starts. This one would lead to much deeper explorations in the future but this is a jumping off point of sorts for the tune and well worth your time at that. The rest of this set just sort of glides along considering it plays out as Glide>Divided, Cavern and with that trio you pretty much know what to expect. Nothing bad, of course, but not much to speak of either.

Upon retaking the stage the band fired up Loving Cup and this is a punchy and on point one though not necessarily much different than others that precede it. Rift takes the two slot tonight and this one is fine enough before we get to Tweezer and for this one we have a big rocker version that stays mainly in bounds though is probably most notable for the fact that Page directs the path for sections of this jam unlike in many/most Tweezers of this era that are essentially Machine Gun Trey showcases. This resolves with the slow ending and into Lifeboy which is always nice and being only the fourth ever this one comes off cleanly (with Trey using the “she” indicating god’s lack of attention to listening to him, something that comes and goes with the song). BBJ is next and then we have Weigh which is mostly what you’d expect but for Trey throwing in some heavier licks that almost get to some Zep-ish ground (maybe it is just me but I almost hear ‘How Many More Times’). Trey gives a quick happy birthday to BBJ (which confirms yet again how closely he once watched the setlists) as well as to a guy named Bob turning 40 and that might be the biggest surprise considering at that time it seemed like there was no one “old” in the crowds at shows. Maybe that was just me too though… Anyway, from here the band introduces Mike’s song and he dedicates it to himself during the intro section before they head into a kinda dirty version of the jam that was sure to have the crowd moving. H2 is notable tonight for Trey throwing in a little ‘Call to Post’ tease and then we get to Paug.

Oh, Paug. Why were you once such a carrier of the jam flame only to now be relegated to being a rote rocker? Here we have a version that gets deep in a hurry, with several different layers emerging before, wait, are they? Could it be? Yup. Boom! They arrive in the debut of Psycho Killer and while it is a tad rough it is still worth the price of admission (and it would be another four and a half years before we’d get to hear it again). Honestly, probably the best aspect of this Psycho Killer is the segue back into Paug which is pretty much a flawless victory by the band (FINISH HIM!!). They wrap up the Paug in fine fashion and then Trey breaks out the acoustic again for Horse>Silent. Next up is Fish Fun Time for Brain and then we get the Reprise closer we all expected. MSO and Grace are your encores and it is off to Portland from here for a couple of shows and… more.

In all honesty, this is probably not a show you will spin top to bottom unless you are doing what I am or if you like Eugene shows or something. The band is playing quite well and trying out some new things as is evident in that Stash but there are just so many other shows that outpace this one overall. That said, the highs are high here and I’d recommend checking out the Llama, Stash, Tweezer, Weigh, and the entirety of the Mike’s Groove. You could probably skip the Weigh but why not spin it?

Next up is a pair of shows from Portland at the Roseland and these two each have some great things to discuss which we will catch up on soon enough…

Doing Things Smart People Don’t Do – Arcata, CA 03.28.1993

Phish — East Gym, Humboldt State University — Arcata, CA 03.28.1993

I  Landlady, Funky Bitch, Sparkle, Melt, Lizards, Sloth, Maze, Fee>Ice, Lawn Boy, Antelope

II  Walk Away>Jim, Mound, Gin, BBJ, YEM>My Life As A Pez>YEM, Paul & Silas, HYHU>Love You>HYHU, Possum

E  Contact>BBFCFM

And then there was one last show in California. This one is a Sunday night affair from up in Humboldt and we have a lovely soundboard of it to enjoy as well. It is also the back end of a run of five straight shows but there really aren’t many signs of fatigue out of the band here. Sure, perhaps it isn’t as full of highlights as the previous few nights but it is a rollicking affair that is tease-heavy and includes a unique one-timer song not to mention a punny pairing in the second set.

The first set starts off innocently enough with a fun Landlady and then the third Funky Bitch of the tour pops up in the second slot. Nothing major here but it is one that’ll get the sleepy head moving. Another workmanlike speedy run through Sparkle then precedes the first jam of the night when Melt stops in for a version that has some unique tone from Trey, sounding a bit gravely and getting fairly close to some Mission Impossible phrasing for a bit. This one stays mainly in form and builds well to a satisfying peak. Then we get a double dip of the Hendge with Lizards and Sloth and at this point on the tape you start to notice just how forward Mike sounds tonight in comparison to those auds and you nod in appreciation for finally being able to hear everything he is doing. After the dirty business of Sloth they head into Maze and while the end is obviously led by rockstar Trey it is Page who shines brightest here when his turn is up. The sbd really helps with the separation here in again noticing what another player is doing and now you are wondering when that box set of all of the best Spring ’93 shows might be coming out and you laugh and realize that is still another ten to twenty years away at this rate since Fish’s kids still aren’t close to college-age. Fee, sans megaphone, gets us to Ice and here we again have a more pronounced presence from Page as his solo is a bit extended in a dark version that hints at some of the things this song will eventually become. Continuing the theme, Page gets the piano solo in the subsequent Lawn Boy which is fairly rare (and not something I think we’ve heard at all on this tour yet) before we head to the Antelope closer. And, oh boy, what a closer it would be. Things going sideways in a hurry as the ‘Fishin Hole’ whistling and teases start early in the intro and then, hey, are they? Yeah, they are definitely playing ‘Axel F’ around the 3:45 mark! Now, if you had gotten your hands on the soundcheck of this one you would know that along with a very captivating Wedge Jam groove clinic Page throws in a tease of that Harold Faltermeyer classic that Fish mistakenly thinks is from Ghostbusters so it was clearly something in the heads of the band that evening. There’s supposedly a Speed Racer tease in here too but either I missed it or that is a bit of a stretch and speaking of stretches, this Lope definitely does just that as they take a big departure from the song for a bit before bringing it all back in fine fashion and wrapping up this set so that the heads can recollect their marbles once more.

After the break we are treated to an odd pairing to start the second set with the second Walk Away of tour opening (which in and of itself is highly rare since along with having just come back after a long respite the song had only opened two 2nd sets ever and both way back in ’89) and that being followed by Runaway Jim. If you can’t see the obvious pun of these two songs being paired together then, well, let’s just leave it there. The Walk Away rocks as it should and then the Jim has a quite engaging jam that the band clearly enjoys considering Trey throws in a few “yeahs!” at the end as they bring it all home. It is clear they are gaining more and more comfort with adding new ideas to this song and come August they would really begin to play around with this one even more. Mound fills the three hole here before we get a then-somewhat-rare Gin (only the third of tour and oddly enough all are in second sets). This Gin goes places for a bit and is worth your time as a proto-gin-jam example. We still aren’t quite there yet with this song but the groundwork is being laid… Another BBJ>YEM pairing comes up next and early on in the YEM (like immediately post-Nirvana) it is clear this version isn’t racing towards the end as Trey steps to the mike and gives a little background before singing a clever little ditty called ‘My Life as a Pez’ which he attributes to old friend Dave Abrahams. It is definitely the sort of thing you’d expect Phish to sing and apparently came up because someone gave the band a bunch of Pez backstage. Ah, the fabled life of rockstars. They then slide right back into YEM for a pretty mellow version that has a nice enough jam and then a ‘Higher Ground’ tinged VJ which also includes some band nickname fun. P&S and Fish Fun Time for Love You get us to the night’s closer which is a quite captivating Possum (yeah, I know!) that has a slurry of McGrupp teases and a whole host of creative thoughts from Trey as he works a few things out here. I definitely recommend checking out this one. And then rather than your standard encore fare we have a double Mike dip with Contact>BBFCFM. Trey essentially dedicates Contact to someone as she travels out to Boston which is nice. Then in BBFCFM they have their usual fun while Mike throws in a bunch of ‘Leave it to Beaver’ teases for good measure. You know, just your standard crazy affair behind the Emerald Curtain.

So perhaps in the end this show is better than the sum of its parts. It isn’t going to be put on an all-timer list but top to bottom it is a solid show in the middle of the tour. At this, the end of the Cali Run, the band has now played 41 shows (the full tour is 71 shows or 73 if you count the two Laguna Seca Daze shows at the end of May) so they are more than half way along the path before they would have about six weeks off in advance of what would become a quite transformative summer tour. But let’s not get ahead of ourselves. This show might seem as good as it is because of the high sound quality of the tapes available or maybe it is simply because they were hitting on all cylinders and clearly having a great time up there on stage. It comes through plainly here that this is the band in their element, playing to their people, with no concerns at all. It is the joyful exuberance and youthful energy of a band on the upswing and it is intoxicating in its own way. For this one I’ll say your takeaways are Melt, Maze, Antelope, and Possum and then the ones to secondarily check out are the Jim, Gin, and Yem>Pez>YEM if nothing else for the uniqueness of that one.

Off to Oregon next for a three pack of shows before points further north. First up is another tease-heavy show from Eugene that includes the debut of a cover Phish fans love to hear even though it is mainly tease fodder and has only really been played about four times ever.

Survey Says…

So I realize that I have been deep into the Spring 1993 Tour and that is all fine and dandy if you are into that aspect of Phishtory but there may be more to be had in discussing other shows and tours, for more than one reason. I am completely open to this and wanted to simply finish what I had started with Spring ’93 but there is a natural stopping point upcoming here with the end of the West Coast leg of tour as they took a week or so off in heading to the Midwest (and supposedly appearing at a music award show). In truth, this would offer me the opportunity to get a little distance from ’93 to keep that from getting too stale while also allowing for exploration into some of the evolution and big jamming of later tours. I still plan on finishing out the April and May sections of that Spring ’93 Tour but the diversion into other eras is enticing…

So what say you?

What should be the next tour to take on?

Any specific shows we want to get down and dirty with?

The Finest in the Nation – San Francisco, CA 03.27.1993

Phish – Warfield Theatre – San Francisco, CA 03.27.1993

I  Llama, Guelah, Rift, Stash, Reba, MFMF, Uncle Pen, Sample, IDK, Bowie

II  Buried Alive>Halley’s>Ice>Bouncin’, CDT, TMWSIY>Avenu Malkenu>TMWSIY>Mike’s>H2>Weekapaug, HYHU>Rosie>HYHU, Poor Heart>Golgi

E  Coil, Carolina

After that first night fun time show at the Warfield, the band was back at it again for a night full of highlights and big jams in a time when that wasn’t exactly the norm. Now, I say ‘big jams’ but that doesn’t mean some 20+ minute escapade into mindfunking space darkness or something because that is just crazy talk but there are several vehicles to be found on this night that have some extra stank on them, much like the highly lauded Roxy second night (but not in the segue/tease vein of that one). You’ll get what I mean as we go along here…

First up is a let’s-get-these-people-moving Llama and then that all-but-ubiquitous second slot Guelah. Rift slides into the three hole tonight and this one is crisp and energetic like a pull off of a freshly poured ::insert your favorite summer beverage here::  Next up is a rather straight forward but rocking Stash that doesn’t really go anywhere new but builds some fine T&R before the resolution. And then we have our girl Reba. If you do not know this version, I implore you to go spin it. The band is all on board for this one from the start, running through the composed section cleanly before patiently working through the jam, adding new ideas along the way and working towards a wonderful build and peak. Trey really shines in this one but listen to what Mike does too. Actually, you should know this version already so I’ll just move on here. If you are sooooo busy that you don’t have much time, at least check out the jam. Next up is MFMF (with acoustic intro, natch) then a quick run through Uncle Pen, that ‘new’ song Sample in a Jar, and the Trombone Greasy tinged IDK complete with the “message of love” solo. But that’s just getting us to a captivating set-closing Bowie that has some SL in the intro (All Fall Down), a little ATR tease, and a very patient-almost-plodding jam that eventually comes around to a solid peak that puts a nice exclamation point on this set. As far as first sets in ’93 go, you really can’t get much better than this one.

So then the second set starts up and you are thinking, sure, I guess it’ll be good but can they sustain it? And you would be correct in answering ‘yes’ because from the Buried Alive on it is another solid set that begs to be listened to all the way through. This Buried has some drawn out notes from Trey but is otherwise pretty standard before they pull out the second Comet of the tour (after its very long wait). This then gets to Ice>Bouncin and from here the set then starts to take off in earnest. First we have a fiery CDT that brings the energy level up several notches and then the ol’ TMWSIY>Avenu Malkenu>TMWSIY sandwich pops up to get the people really moving. That’s all nice and all but it is the Mike’s that follows that really takes this set above the board. For the most part, Mike’s Song at this stage is largely straight forwardly jammed with the tramps being a limiting factor on the band being able to open things up for a lot of its history since Trey and Mike were obviously focused as much on their choreography as anything musical. But on this night (and more as we go forward from here) the band starts to play with the theme – with Trey even doing some creative playing underneath the lyrics before they drop into the jam segment. But what you really want to listen for in this one is the proto-Simple-esque jam that emerges for a bit before they go into a full breakdown ahead of the transition into H2. The song is still more than a year from being debuted (at this venue, no less) but here you can plainly hear the rudimentary elements of what will become the classic Mike’s->Simple->Mike’s>H2 nugget we got so used to for quite some time. Go enjoy that why don’t you. And then after H2 we are treated to a very high energy Paug that goes into some ‘On Broadway’ jamming that then departs Paug fully for a bit before returning to resolve in fine fashion. This is elemental phish. This is the band firing on all cylinders, starting to push the boundaries of their catalog and coming through on the other side sticking the landing. As earlier Mike’s Grooves go, this one is a shining example of the form. And then after that is over we have Fish Fun Time for Rosie and a Poor Heart>Golgi pairing to close the show. A very purty Coil and Carolina are your encores — with Carolina having a little a cappella slow Suzy tease at the start similar to 02.21.1993 — and it is now off north to Arcata for the last Cali stop on this tour at Humboldt State before they would enter the PNW and Canada for a few shows and the end of the Western Run portion of the Spring Tour.

This show has a lot to take away from it from both sets and you could easily just hit play on the Llama and let it run right through if you have the time. But if not, focus on the Reba, Bowie, and the Mike’s Groove at the very least. If you want to expand that a tad just add in the Stash and Coil. Next up we get to hear a crapload of teases, some memorable jams, and that classic tune about everyone’s favorite chalky sweet candy that comes with the collectible heads.

Like She’s the Queen of the Town – San Francisco, CA 03.26.1993

Phish – Warfield Theatre – San Francisco, CA 03.26.1993

I  Maze, Sparkle, Foam, PYITE, Fee, ATR, Melt, Fluffhead>Divided, Cavern

II  Wilson>Jim>Mound, Tweezer, Horse>Silent, BBJ>YEM, Oh Kee Pa>Suzy, GGITS>HYHU, Reprise

E  Grace, Rocky Top

Following Santa Cruz, Phish settled in at The Warfield in San Francisco for a pair of weekend shows that have all of the earmarks of ’93 Phish. The first of these shows was the Friday night affair which was the second time the band played this venue after being here for a memorable show the previous spring (one that I recommend checking out as well). This being the 39th show of the tour the band is very loose and comfortable, taking their time throughout and engaging the crowd in various ways as is their way. So let’s dive in, shall we?

The first set starts off first with a little nod to one of Fish’s friends who is doing a cross country bike tour (from Seattle to DC) in support of AIDS research. Then we get one of those somewhat rare Maze openers that just kick off the energy so well, even with this version being somewhat short in comparison. Getting geeky, this is one of only 11 total show opening Mazes ever — and one of only 25 times it opened any set as it has never been encored oddly enough in almost 300 appearances. The subsequent Sparkle is kinda almost not quite but sorta of the FMS variety before we get a very clean run through Foam, as the band is now fully warmed up and raring to go. Next they cleanly take on PYITE which is something considering the shakiness of this tune over the course of this tour. Fee and ATR get us to the first true highlight of the show when they drop a breakneck speed Melt that stays primarily inside the sandbox. This is definitely one to check out though as Fish and Trey are going for it with aplomb. The balance of the set is largely what you’d expect out of Fluffhead>Divided, Cavern as the energy stays high and the band plays the crowd as they head into the break. This set is a lot of warm up fare but solid in its own right though there isn’t much to take away from a true highlight perspective.

That would change a bit in the second set though. After coming out hot with Wilson>Jim>Mound (and definitely check out the Fish rolls in the start of the Jim jam) they drop into Tweezer for the first biggish vehicle of the night. This one stays largely within the framework of the song but gets pretty crunchy and boisterous in doing so. They bring things down after this for Horse>Silent and Trey has a bit of an issue with the tuning on Horse but whatever. BBJ then gets us to the next highlight here which is YEM and this version is one of those ones you don’t hear a lot about but that stands up as a solid example of the band playing one of their prototype songs true to form. Honestly, when you think of the classic songs in the Phish canon and hear them played very well YEM is up there as one of the very best and this version is a very nice clean take in that vein. There is also some Mission Impossible phrasing to be found here if you like that sort of thing. Next up is that classic pairing of Oh Kee Pa>Suzy and for this one Good Time Suzy is on display, bringing her dancing shoes along for the ride. Then there’s the third ever Great Gig in the Sky for Fish Fun Time before the Reprise closer you’d expect here. Grace and Rocky Top are the encores and it is time to rest up for the next night.

This show is a top to bottom well played concert without a lot of big highlights but no real low points either. The band is playing with great energy and acumen at this stage of the tour and they are encountering crowds who are engaged in the music on a nightly basis. This show pales a tad in comparison to the one that follows – and perhaps that’s a bit due to the band’s settling in here for the weekend – but it is worth the listen, perhaps in tandem to its brother from the next night. Your takeaways here are the Melt, Tweezer, and YEM. Next up is the Saturday night hit parade from the same venue!

Stand Up On Your Heels And Call – Santa Cruz, CA 03.25.1993

Phish – Santa Cruz Civic Auditorium – Santa Cruz, CA 03.25.1993

I  CDT, Guelah, Ice, Possum, Bouncin’, Stash, Glide, Rift, Horn, Magilla>Antelope

II  Axilla>Curtain>Sample, Uncle Pen, Forbin’s>Mockingbird->Kung->Icculus>Mockingbird, Wedge, Mike’s>H2>Weekapaug, Golgi

E  MSO>BBJ, Adeline

For the last half of their California run in Spring ’93 Phish strung together shows on five straight nights with this Santa Cruz show being the second such show. This would be the biggest and final show the band would play in this town, having graduated from The Catalyst for shows in ’91 and ’92. As the band’s trajectory continued to climb they would stick closer to San Francisco and the larger venues to be found there so this show (and the entire spring run really) includes some of the last stops at these small but not quite tiny venues before the summer of ’93 opened things up and then it really took off in ’94. On this night, they would do their best to fill the 1,857 seats of the lovely Art Deco Civic Auditorium and those who attended were in for some phishy treats along the way.

Things get started well enough with a rocker CDT much in the mode of how they went in those days. This one just shows to go that they came out firing and ready to play. The subsequent Guelah is well played and received and then we have a fairly standard Ice that has an ever-so-slightly extended jam section but is totally in the box otherwise. Next up is a quick fierce Possum that starts off with some SL (Simpsons, Oom Pa). The very start of the jam itself has an almost BOTT-ish feel for a bit but then it goes rock show machine gun Trey and the crowd goes nuts for it as was the fashion then. Bouncin precedes the first big highlight of this show which is an engaging Stash where the band takes it out, building tension, brings it back to the main theme, takes it out to the ether again, and then brings it all home for some well-deserved resolution. Very punchy version worth the listen. Next up is a dedication to their tour gear truck driver, Terry, preceding Glide and then we have an energetic Rift and a nailed Horn. At this stage the set doesn’t really seem to be all that special but, hey, it’s Phish so here we go. Why not bust out Magilla after 114 shows throw in a Stash tease and some Yakety Sax action and really turn the heads, um, heads? Well, that wasn’t really a question or request because it is exactly what happened. And then they go from there into a seriously raging Antelope closer that has a little ‘Ob La Di, Ob La Da’ jam in the intro as well as more teasing of that in the build from Trey. That tease is notable considering it would come up a few times more with a full jam on it in Albany later that Spring as well as the obvious full performance with the White Album in Glens Falls for Halloween in 1994. Great peak to be found in this Lope as well. After that it is time to cool down and rehydrate for a bit.

So for the second set the band keeps the heat on, starting off with a triple play of Axilla>Curtain>Sample. Kinda of an odd trio but in terms of building energy at the start of the set you could do a lot worse. Uncle Pen fills the bluegrass role next and then we are back to Gamhendgery with another Forbin being dropped after only one show off from the Sacramento goings on. This one wouldn’t go the traditional route as Trey weaves a quite entertaining story about a magic glass of wine, the crowd’s blood being turned to carbonation (and they themselves being encased in a soda can that is the venue), and the ‘ritualistic riff’ which Mike plays, popping the top of the can and spraying the effervescent crowd into Gamehendge. Quite vivid. This leads to a very clean rendering of Mockingbird before Trey starts with the talking again and another stab of the ritualistic riff begets the words of Kung being recited as the crowd falls in spray/mist over Gamehendge (summarizing these stories is kinda odd the more I think about it…). Then as he concludes that aspect all of a sudden we are in Icculus for the first time in 119 shows (and the only time in ’93) before they come back to the end of Mockingbird to wrap it all up. This whole segment is worth the price of admission which was quite low relative to today’s going rates. From here we have the return (after 20 shows) of the “new” song [slow] Wedge which works well here even if it is still odd to hear the different time signature for this song. Then just when you thought we were headed towards the closing tunes they drop Mike’s (of course they do! It hadn’t been played the previous show, after all!) for a nice version that includes a bit of stop/start jamming and some verytinymaybealmost inklings of what would become the transition into Simple… but no we get H2. The Paug that arrives after this is a good one, with more ‘Ob La Di, Ob La Da’ (writing that song title gets a little old, I must say) teasing and a quality jam overall. Some will tell you (looking at you .com and .net) that there is a ‘Don’t Get Me Wrong’ (Pretenders) jam in here but I’ve now spun this several times and I’m not hearing it. Sure, there’s something in the breakdown section of the jam before they build to the end peak which I guess you could say is that song maybe… so it is probably just me. Interestingly, this is the second Pretenders song they have teased this tour so maybe they have a CD on the bus or something. After this we have a Golgi closer and a somewhat odd MSO>BBJ, Adeline encore to send everyone home.

Top to bottom, this is a fine fine example of ’93 Phish with the quality playing, high energy, secret language, teasing, bust outs, jamlets, and everything else that makes a Phish show what it is. You get pretty much the full spectrum here. My only regret is that I haven’t yet heard the soundcheck listed for this one which apparently includes a Wedge/Wolfman’s “mashup” (per .com), Have Mercy (with the ‘You can feel good about Hood’ chorus added in the end section, and the requisite Dog Log. Might have to track that baby down… Anyway, for takeaways, I’ll recommend the Possum (yes, I’m serious), Stash, Antelope, Forbin>Mock->Kung->Icculus>Mock, and the Mike’s Groove. That’s a lot from this one but worthwhile, I think. Enjoy.

Next up we have a two pack from The Warfield in San Francisco before the last show in California up in Arcata on the way to Oregon.

He’d Like to Brush You Off and I Agree – Santa Rosa, CA 03.24.1993

Phish – Luther Burbank Center for the Arts – Santa Rosa, CA 03.24.1993

I  Llama, Foam, Fee>Poor Heart, Maze, IDK, Sample, ATR, Jim, Grace, Cavern

II  Landlady>Melt, Sparkle>Tweezer>Mound, BBJ>FEFY, YEM, Horse>Silent, HYHU>Prison Joke>HYHU>Terrapin>HYHU, GTBT

E  Carolina, Coil

After a night off following the goings on of The Crest Theatre show in Sacramento the band would be some 75 miles west in Santa Rosa for the only time in the band’s history. This is the 37th show of the tour and the 6th (of ten) along the Cali portion of the tour which makes this the longest stretch in any state so far this tour. In some ways this show suffers a bit existing between that legendary Sacramento affair and the Santa Cruz show that follows (more on this to come, naturally) but it does have its moments…

The first set starts off with a ho hum white hot Llama, Foam pairing where we get warmed up and it is clear the band is ready to rock after the night off. Next up is Fee>Poor Heart and nothing special to note here except that Poor Heart still has the slightly extended end section (compared to the modern versions) and Fee did not have Trey on the megaphone. Maze fills the midset jammer slot and Trey takes his time, toying with the theme throughout while offering his typical shred in a version that stays close to home but engages nicely. Trombone “The Missing Link” Greasy takes his solo in the subsequent IDK and then Sample and ATR do what they do before a slightly extended Jim where Trey seems to be starting the process of drawing more out of this jam. It is wholly in bounds (i.e. ‘type I’) but rocking and pays off in the end. A somewhat oddly placed Grace fills the penultimate slot before Cavern starts up. Normally I just skip over talking about this tune entirely but this one has Trey playing some different phrasing throughout, working downward as he accompanies the lyrical section. Interesting and worth checking out for its variety. After that we have our setbreak as is typical and not ever the fifteen minutes that Trey loves to tell us it will be.

Second set kicks off with a bit of a shaky Landlady before the drop a second song Melt. Yeah. So this one is borrowing a bit from the previous version in Ventura and still not quite where it will get in a couple of weeks but Trey leads the band into frenzied waters, almost going off the rails completely more than once. This one begs to be explored more deeply but alas they come back to the Melt theme and we are on to Sparkle. Whoopee. But okay, that’s all right because we get a Tweezer next and while definitely in the box and not pushing any major boundaries this one relies on great tension-building before resolving into the old school meltdown ending. Maybe not an all timer but worth a spin. Mound, BBJ>FEFY follow from here – and just a quick note that the seemingly odd pairing of BBJ>FEFY has now happened four times this tour, which shows it clearly works for the band if not for anyone else. Next up is YEM and this one is… okay. The composed bits aren’t exactly nailed and the start of the jam seems to go nowhere but dang it if they don’t keep trying to push through and eventually they hit a tiny little bit of space at the peak that is worthwhile. But really this one is more notable for the VJ which is rather extended, has some ‘Under Pressure’ elements, and then arrives at the band all chanting “shut up” to the acquiescing crowd. Creepy. An acoustically meh Horse gets us to Silent and then it is Fish Fun Time where there is the request for the telling of the Prison Joke which Fish does not want to oblige. But rather than move on they bring a person up out of the crowd for the telling and it is exactly what you know the Prison Joke to be before they get to Terrapin. Assuming you know the Prison Joke, that is (I’m linking that one because it is shorter and “performed” by Fish. And let me just say that this has always been one of my favorite Fish Fun tunes since there actually is a bit of a lift in the playing from the band when he takes his vac solo. It’s a small thing but it does offer more than just the diseased wailings of the Electrolux Viking. From here we get a GTBT closer and then it is off to the encores for Carolina, Repri… hey wait! They didn’t play Reprise! They threw a [quite lovely, actually] Coil in there and left Reprise Nation hanging. And no, this one doesn’t come out in a subsequent show. It is just… not. there.

So the tale of the tape is that this one is a tad uneven but you do have a few things to spin if you are so inclined. The Jim, while slightly extended, is really not that different than other versions this month (excepting that quiet jam Jim from Redlands) so we will skip that but (and I can’t believe I am typing this) check out the Cavern. And then in the second set the Melt and Tweezer are your meat. If you have never heard the Prison Joke I suppose that is something to hear but your reaction will probably match that of the crowd.

Next up is the Thursday night show from Santa Cruz for the last time the band has played that lovely seaside town. There’s a bit more to chew on with this one as we will see.

A Lullaby The Breezes Whisper – Sacramento, CA 03.22.1993

Phish – Crest Theatre – Sacramento, CA 03.22.1993

I  CDT, Guelah, Uncle Pen, Stash, Bouncin’, Rift, Weigh>Reba, Sparkle>Bowie

II  Golgi, Ice>Lizards>Tela>Wilson>Bag>Forbin’s>Mockingbird>Sloth>McGrupp, Mike’s>H2>Weekapaug

E  Grace, Fire

The night after Ventura Phish would be well north in the state, some 330 miles up in Sacramento for a Monday night affair that none could expect to go down in phishtory quite in the way that it has. For this night would bring forth a Gamehendge set, the first since 1991 (193 shows) and one of only five full such sets in the band’s history. This is a somewhat debatable number considering our man Trey’s propensity to wax on the topic in that way he does but we’ll just go with it for now because there are much better things about which to argue than the relative number of times Trey has filled an entire set with his narrative fiction. What is definitely true is that there are only two full such Gamehendge sets that follow this one: 06.26.94 (as one half of the famed “GameHoist” show from WV) and 07.08.94 (emerging out of the uber rare NO2 at Great Woods). But this one from Sacramento might be one of the more famous ones due to the ubiquity of the tapes during those formative years for so many fans and how quickly and widely the news of this one spread amongst the heads. It was for this that people often clamored and shouted for that mythical set to be dropped on them only to be once again thwarted.

But before we get to all of that we have a very engaging first set to talk about that gets overshadowed by what went down after the break. The band came out firing, throwing down a fun romp of a CDT that gets the room moving before dropping that second song Guelah they loved to play so much back then. Uncle Pen steps into the third slot tonight before a rocking straight forward Stash surprisingly fills in the four hole. This one is not big on the jamming but high energy and goes with the T&R over the dissonance. The midset segment of Bouncin, Rift, and Weigh is all well played with nothing major to write home about before we get to our girl Reba. This one is nicely done with a bit of a plinko-ish, sparse section in the jam that precedes Trey elevating things towards the end peak. It is a nice alteration of the standard theme for this tune. Next we get a quick Sparkle before the set closing Bowie where Trey throws in some cool phrasing at the start while throwing in several SL cues (Simpsons, Oom Pa Pa, Random Note, All Fall Down) before they devote a lot of energy towards the construction of major T&R in heading to the top of the mountain. Good payoff with that in mind and we are headed to the break still none the wiser for what is coming.

So then the second set starts out innocently enough with Golgi and you are thinking “okay, should be a fun one I guess” before they drop into Ice and you think “yeah, okay, this could work. I wonder how the Mike’s Groove will be tonight…” but then right when they are supposed to go into the jam portion of Ice the band shifts slightly and Trey starts in with the narration over the Ice tempo and it is kinda like when you are watching pro wrestling and everything is going along fine enough but then OH MY GOD IS THAT WILSON’S ENTRANCE MUSIC??? (I think you know what I mean and if you don’t you are clearly not ‘Murican which is fine, of course, but probably has you a little confused right now). And clearly some people there know what is happening right away while it takes others quite some time to figure it out (like, maybe the whole set). I’ll be interested to hear from anyone who was there about the mindset of the crowd. So now we are cruising through the narration and Trey uses this to set up each song along the way including Lizards, Tela, Wilson, Bag, Forbin, Mockingbird, Sloth, and eventually McGrupp. Musically, it is all pretty straight forward as the focus is on imparting the story in toto but really nothing is lost here as it is all well played and moves along quite nicely as they intersperse the narration with the music in the way you would want if you happened to be in the crowd that night. Granted, if you knew nothing of this band and stopped in to check them out and this is what you experienced it might not be the thing that adheres you to them for life – or perhaps it would be – but that is another facet to this whole conversation. The one bit of oddity is that during McGrupp Fish hops on the Madonna washboard to accompany Page during his solo section. Perhaps he was sad he wasn’t getting Fish Fun Time that night. So after they wrap up the GH Suite (with Trey noting there are several other related songs) they start up that Mike’s we knew was coming. This one rocks a bit more than what was typical then which is nice and then after the H2 the Paug picks right back up for a rollicking finish to the set while staying in bounds the whole way. Grace and Fire provide the encores tonight and the crowd is left to discuss what they just experienced as they wander out into the night.

Okay, look, let’s just get this out there right away. There are a couple of different camps on shows like this. If you are in it for the music (i.e. the hetty jamz, yo) then perhaps this isn’t your cup of tea and you think the hype about The Crest Theatre Show make this one highly overrated. I get that and there is no denying this position. On the other hand you have the Gamehendge fanboys who laud this for being a shining example of one of the handful of times they have blessed us with the performance of this mythic performance art and we should all be so lucky to even have the opportunity to spin it again (not to say anything of the wonderful sbd out there in circulation, of course!).This view is also acceptable because let’s face it we are a collection of a wide array of different levels of band nerds and that is just one strata voicing their opinion from the top of Mt. Icculus ( ::insert nasally snort laugh here:: ). And then there are the middling folk who can possibly appreciate it to a certain degree but are maybe left wanting for one reason or another – and that view is perfectly valid as well.

I suppose the point is that this is a perfect show to showcase the wide range of opinion about this band of ours. You have the high energy, on point playing of the first set with a few jams of note followed by something so special and sought after by a certain segment of the crowd that it is still talked about more than 20 years after the last time that it happened. At this stage I’m not going out seeking a Gamehendge set but I do know that if I happen to be in the room when it happens I will be happy as hell to be a part of the experience. Which is not something every fan will say. So in the end I’ll tell you that should spin the Stash, Reba, and Bowie from the first set here along with the second set pretty much from Ice on (though at that point you might as well add in the Golgi because that’s only another 5 minutes of your life, right?).

After a night off the band would be in Santa Rosa for a Wednesday night show which includes the good ol’ Prison Joke, a hot Melt, and a mess of other somewhat messy stuff. Should be interesting to discuss…