Wide Open Views and That Laid Back Sound – Phish and The Gorge

The next venue for us to visit is another outdoor beauty, The Gorge Amphitheatre in George, WA. This is a much larger venue than Red Rocks with a 27,500 person capacity, making it more of a hallowed venue due to location and the band’s reputation to throw down great shows here instead of for it being a difficult ticket to see the band. Situated in the amazing Columbia River Gorge about 130 miles west of Spokane and some 150 miles east of Seattle, The Gorge was originally supposed to be a vineyard before eventually becoming the storied concert venue it is today. Those who have been know that few places can match the grandeur of the overlooking view one gets of the river valley that acts as a natural backdrop to the band playing, a backdrop that included an “open” back to the stage for many years until the venue added a black screen behind the stage to assist in the projection of lights and other visuals. The beauty of the area owes itself to the Missoula Floods which occurred at the end of the last Ice Age, carving the walls of the valley that had been forming for millennia into the form that we mainly see today. It is a place that seems to inspire a unique mode of playing for Phish, a mellow mood of sorts that comes through clearly even on the tapes of shows from here. Being the destination venue that it is the band has always played at least two shows here which also contributes to that relaxed feel as the crowd and band are able to settle into their surroundings and enjoy being away from reality for a bit. In a way, this gives shows here a bit of a festy vibe or at least more of one than your typical two show stand at [insert corporate name here] amphitheater.

It wasn’t until the Summer Tour in 1997 that Phish first played The Gorge but since then they have landed in George eight times with each visit being a pair of shows. Some quick math tells that totals sixteen shows. To date, no member of Phish has played at The Gorge without the rest of the band, unlike most of the venues we find in this project.

Here is your www.phishjustjams.com playlist for The Gorge Jams.

08.02.1997  By the time Phish arrived at The Gorge in 1997 they were well into the US portion of the tour and about to make their way back east for the first of the Limestone, ME festivals, The Great Went. From the first notes of this one you can tell they are taking everything in here and playing with the laid back feel that will come to typify shows from this venue. The band opened with a solid Theme From the Bottom in a strong year for the song, hit the Ginseng for the 2nd song bluegrass slot, and then dive into the then new vehicle Ghost. There are others that soar more highly than this one but it has the swagger and groove that any good version should particularly once Trey hits on the Who-Knows-on-speed theme in the back half. After playing another of the new tunes (Dogs Stole Things) they played the first of the sunset Divideds that will become the norm for this venue as the years go by, building a lovely jam out of the reflective moment that is The Pause. The funk returns in a stretched out Wolfman’s (one of those songs that really took off once the funk entered the equation) and then they capped the set with a plodding Melt where Trey repeats a riff for much of the jam before exploding into a flurry of notes in the return to the song’s form. The second set starts off with a bit of a nod to the last time they had been in the region for the Fall 96 show we talked about here previously as they go big in Disease->Tweezer->JBG and almost get to the same type of Diseezer motif with the tease of Disease in the tail end of the Tweezer jam before the move to JBG. The other notable highlight here is the “lights out” Hood encore where Trey asks CK5 to turn off the lights so they can enjoy the “outdoor vibe”. This is a solid show for their first night ever at The Gorge.

08.03.1997  On the second night Phish came out hot from the start, opening with a punchy Gin that drops into an inventive Foam that goes well beyond the norm for the song. Next is the debut and one time performance of Samson Variation before the set turns song-y and towards the bluesy side of things. Twist->JJLC is an interesting combo with the Twist being a bit more rocking blues than normal and the JJLC carrying that vibe forward. They keep this feel going with the swinging Julius second set opener before a short but sweet Simple and a peaky Fluffhead. The singular performance of Lifeboy is next leading to a fantastic, peaked out Taste that really is the highlight of this set before they fill the end run with typical crowd pleasing fare. For a Sunday show this one feels a bit odd in that it is a tad all over the place and somewhat out of the mode that the Summer 97 shows went. It isn’t an off night by any means but it isn’t exactly peak Phish either.

07.16.1998 The next year the band returned but this time at the start of the US portion of the Summer Tour having only played the famed Portland Meadows show on American soil prior to this one. The first set is a pretty mellow affair as Phish goes, starting with a Coil opener (at the time the fourth ever Coil opener – there has been one other since in Telluride on 08.10.2010) to perhaps reference the sunset (do I need to point out the lyrical reference? I’m going with no). A third song Stash is a bit underrated as they do some nice T&R construction but it is the Reba that really sets the tone for the set in earnest. If you didn’t already know where I’m going here, this is a subdued, let’s-all-take-a-look-around type of Reba jam in the “mellow” vein that permeates this venue. Page’s organ fills accent Trey’s wah’d out comping carry us through until they shift into a higher gear with Mike pushing the pace until all fade out except for Fish as they drop into the transition to FEFY. They back that up with Circus which while fitting the vibe makes for a pretty low key back half of the set. They punch up the Antelope closer though and come back after the break with another 2nd set opening Julius to get everyone moving. A swanky Moma follows before a short Piper and Axilla lead to Bowie which is somehow kind of mellow even with its typically frenzied end tension. The band then cranks into a Tube that gets a funky ambient outro jam before giving way to the Slave closer. I’m not sure how to take the Sample encore here but we have another night at the venue so no harm no foul. The vibe in this show is a bit overwhelming in its mellowness, particularly in the first set but the highs are quite good.

07.17.1998  Often when Phish plays more than one night at a venue it can take a set or three to really get into the groove there and this can be compounded further when they are in the early stages of the tour. Well, my friends, this second show in the 1998 run at The Gorge is where they hit their stride bigtime. As a sign of the impending awesome to come the band opened with Makisupa, one of only seven confirmed times the song has opened a show (two of those were mentioned in the Red Rocks post). This is still the last time that they have opened with it. After a short loopy ambient jam they play the fun summertime vibe number Ya Mar, drawing out the end with a breezy jam that begs you to smile. The Gumbo that follows is Manteca funk (which is fairly common with the 98 Gumbos) before Trey finishes it up with a nice bit of soloing. Now it is time for the annual Divided Sky sunset performance and this one is no slouch as after The Pause they go big time. Divided is kind of one of those songs you might not go looking for at a show but always seems to deliver. That might just be my old school way of thinking but I can’t say I’ve ever heard anyone talk ill of the song. And if they did about this version I might have to question their motivations… ANYWAY after a breather for Waste>MMGAMOIO they close strong with My Soul. Now, you should probably already know this second set but just in case you don’t please do yourself the favor of cuing that up and cranking it. It only has one of the biggest (and the longest!) 2001s ever, a huge Mike’s Song with a second jam that eventually goes somewhat ambient, replacing the need for a filler tune and punching right into Weekapaug Groove. This one has it all what with the Mike-led funk, full quote of Taste by Trey in the middle, and a powerful end jam that never resolves back to the lyrics but instead slams into the Zero closer. Yup, that’s a four song set, friends. All killer no filler style too. The PYITE>Rocky Top is just gravy in the encore, quite frankly. This is to me the best show the band has played at The Gorge and it is a crime that there has yet to be an official release from it. We should start a petition.

09.10.1999  For their third visit here Phish was again coming in at the early stage of the Fall Tour having just started out on 9.9.99 (numbers are cool!) up in British Columbia. I’m not a huge fan of a Farmhouse opener so I guess it is good that four of the seven times they have done it were in 1999 but that one from this past summer scares me that they might think it is a good idea again. Thankfully it didn’t set the tone for the show though as First Tube cranks in with the “secondary” opener slot. This set is more typical of what we have come to expect from first sets in latter day Phish with a couple of non-jammed vehicles (Twist, Carini), the expected sunset Divided, a bluegrass tune, a head scratcher with the oddly placed WTU?, and then a fun debut closer (Will It Go Round In Circles which unfortunately only got one more performance a couple of weeks later in Tucson on 09.21.1999. The second set opening Disease is one of the contained, shreddy type I versions and then the set gets a bit uneven as they play a standard Moma and a seemingly truncated Piper leading up to a megaphone-less Fee (with outro jam!) that bleeds into the loopy debut of Gotta Jibboo (for Phish, of course. It had already been around for TAB at this point). The evil energy of Saw It Again picks the pace up but then they go into mellow mode for a downright slow Melt. It isn’t bad, it just doesn’t really go anywhere. The same can be said for the Bowie closer which takes almost ten minutes to get through the intro and that is without any teases, SL, or other antics adding to the time. It just has that overly patient let’s-get-ambient-no-matter-what feel and thus never really feels like it can top out. Capping it with a Coil encore doesn’t alter the mood here and we are out into the night kind of wondering what happened there. Truthfully this is more the norm for Fall 99 shows than the outlier but in comparison to some of the other shows we have heard here the difference in “intent” (god, I hate using that word in the context of Phish) is quite clear.

09.11.1999  For the Saturday night show of this 1999 pair Phish came out swinging with Tube>Funky Bitch>LxL to get everyone up and moving. Trey has a brief but melodic lead in the Tube Things see-saw a bit from there with DST and Billy Breathes keeping things grounded sandwiched around PYITE and then leading to the set ending Guyute>Free segment. This Free gets pretty crunchy for a bit, stretching past the “normal” length of the song but don’t be fooled by the timing on most pulls of this one as there is at least a minute of post set crowd noise in there. So maybe not quite the fifth longest version ever that it appears to be. Trey gets that glitchy guitar thing going here that is often found in jams from 1999 which is kind of a love it or hate it thing for some fans. Personally, I love it but I am a big fan of that era so there’s that. As with 1997 this second show gets a bit of the Wolfman’s funk but tonight the second set opening version is also tinged with the developing Millennial Sound as they layer washes of sound on top of the groove. This gives way to loops and those play-every-note-in-one-second fills Trey got so comfortable with in that era as they set up the transition to… the Phish debut of Sand! Now a quite familiar vehicle, prior to this night (and tour) the song had only shown up in TAB shows, primarily that May 1999 Tour. This version is a Trey clinic as Mike lays down the static bassline, Fish rides rhythm alongside and Page toys with accents and effects. Over the course of this 18+ minute version Trey patiently offers up several great ideas, some which stick and others that don’t take (that final Jimi-like lead is freaking great before they return to the main Sand riff). This is up there in the pantheon of great debut versions of songs (e.g. The Amsterdam Carini) but really just scratches the surface of where the song could go once the rest of the band caught up with Trey on it. But that doesn’t take anything away from this highly dance-able interstellar version! A run through Meatstick brings us back to earth a bit and then we get a somehow both shreddy and mellow Maze. Then following a real live actually engaging Prince Caspian and then a peaky, blissful Hood closer (with several false endings) before the Circus encore. This is probably the “better” of the two shows from this stand and the second set in particular holds up quite well for enthusiasts of the era.

07.12.2003  Okay, now we are really getting pretty removed from my writing comfort zone as I believe this marks the first 2.0 show that I will have written about more than simply in passing. Bear with me, folks. Well, the band helps out from the start, playing a soaring Taste opener before dipping into the then new material with Mexican Cousin and running through a fine enough Stash, NICU, and Heavy Things. Then we get the debut of Mock Song (only version they would play until the festy-themed bustout at Magnaball in 2015) and Army of One (previously only played at Vida Blue shows earlier that year) before ripping into a demonic, openly jammed Maze closer. It’s one you will want to hear if you are a Maze fan. Just remember that you will in fact get out of the maze and you should be fine. Second set starts out with a chugging type I Piper that swirls and grooves for about fifteen minutes featuring a lot of that gnarly, uncompressed Trey 2.0 tone before dissolving into the debut of Two Versions of Me which almost got backed up with the 2nd ever Secret Smile if you listen closely to the sbds of this one. Thankfully they chose to instead dive into Tweezer (unless you are a big Secret Smile fan in which case I’ll say go listen to 07.15.2003 if you want those two songs paired, sir). Trey plays the melodic part of Free before it kind of falls apart into a loose, dirty return to Tweezer. It isn’t the prettiest finish to Tweezer ever but you get some of that with 2003 Phish. They ease up for DST and WITS but then it is back to the deep end for a late set Ghost! This is a monster of a Ghost which you should go read about in more depth. Let’s just say this is the type of jam that jam chasers point to when decrying the ripcording and other stuff that sometimes creeps into Phish sets. Oh and let’s just go ahead and back that ridiculous dance party Ghost with a solid Bowie closer, mm’kay? So by the time the Frankenstein>Reprise encore hits you are just laughing at the power this band can wield. This was about a week into that summer’s tour so the band was warmed up and pretty well in form so you get a good snapshot of what they laid down in those shows here. 2003 has some positively other worldly jams intermingled with head scratching song choices, particularly with that set of ballad-y numbers they debuted that summer. You take the good with the rest though…

07.13.2003  For the Sunday night capper to this 2003 pair Phish started out with good old Runaway Jim which gets some extension including a bit of almost-but-not-quite Seven Below jamming. They follow this with the third ever Scents And Subtle Sounds (with intro!), playing it pretty straight at least in comparison to some of the massive ones from later this tour (not to mention the epic soundcheck version from before the next show in Utah). After romping through Axilla and Carini and playing the mini bustout for DFB they play what will be the last version of Round Room until its 140 show bustout during the first set of the wonderful 01.01.2011 show and it gets the 2.0 ambient outro jam treatment too which is a nice (one time) treat. Halley’s Comet is next with some Mike on electric bagpipes action in the end before they run through Guyute (also with some Mike electric bagpipery) and then a rousing run through YEM caps the set. The second set starts off fine enough with a rocking Llama and a funky Wolfman’s that dives into the 60 show bustout of JJLC but it is the Seven Below that follows where this set gets its legs. They go super deep in this one, jumping off into the ether such that by about the twelve minute mark you might have one or four of those “what song is this?” moments. At the start of the deepery Trey throws in a Third Stone from the Sun tease and then they proceed to build back up, eventually ending with a quick run through the main theme of the song. It isn’t the most connected Phish you will ever hear but there is a willingness to take the risk that is greatly appreciated. The show finishes strongly with Hood and Chalkdust before a First Tube encore and then we are left to wait for six years until the band would come back here again.

08.07.2009  When Phish returned after The Long Wait there were varying opinions about whether they would be able to recapture the jam magic that had been their currency with the fans for so many years. Heck, I guess you could say there were those who had been saying such things since like 1994 but whatever on all that. There had been hints of it sprinkled throughout the first leg of the Summer Tour that year but it still felt like they were searching for the connection that made it all work so well. After warming up the second leg of the tour with the four shows at Red Rocks and then playing a one off show at Shoreline (which we will get to…) Phish came back to The Gorge for a pair. Maybe it was something about being back in another familiar place but something seemed to click that weekend and the jams started flowing freely. The show opening Disease was a type I surprise considering they had just played a decent open ended one in the middle of the second set at Shoreline but it set the tone for how the evening would go. A fun midset call-and-response jam in Possum between Trey and Page livened up the crowd and offset the “another possum?” thoughts from those who had been keeping track of such stats. During this set they played the first P&M of 3.0 and then in the penultimate slot for the set the first Sally since that same 08.12.2004 show, taking the Robert Palmer cover to type II depths that this song simply doesn’t typically go. It is a quality jam that holds up so check that one out for sure. The Stash that precedes it also takes a noble leap at going sideways but really just stays in the T&R mode for the most part. The second set has an engaging calypso jam in Light before they nail the segue to Taste and then later on there is a Gin that some still hold as the most creative of 3.0 even though it is pretty well drenched in whale tone. Followed by a lovely Hood closer it is quite nice to hear the band willing to take risks again here at a place where that has definitely been their modus operandi.

08.08.2009  For the second night of this pair Phish started out by dusting off Mango Song for the first time in 3.0 and then after a quick Chalkdust debuted the Mike and Leo Kottke tune Middle of the Road which would be played one more time that summer before getting shelved. The rest of the first set is pretty underwhelming as the midset Tweezer never takes off and only the energy of the set closing Zero>Lope pairing makes any waves. The second set starts out quite strong with a loping RnR jam that hints at some FOTM phrasing before peaking and moving into Makisupa which has its own interest considering Trey and Mike switch instruments to give us a different sort jam (that actually kind of works). The set turns song-y from there as they play a standard YEM surrounded by a bunch of setlist fodder and then rock out the encore with GTBT>Reprise. This is definitely the lesser of the two from the 2009 run but has a great highlight in that RnR->Maki sequence.

08.05.2011 Two year on from the last visit Phish returned for another pair at The Gorge to start out the second leg of the summer tour following the one month break after Superball. The first set is basically a warm up the jukebox grouping of songs but the Taste>Roggae pairing here is a beauty that deserves your time. That set tricks us into complacency though as after the break and a set opening BDT#L the band starts up RnR and takes it out into a completely unique space, dropping into dark waters as Page hops on the theremin (something that was well received in the several times he did it in 2011) and Mike throwing in massive bass bomb brown notes. Many thought it was going into FOTM but instead you will get Meatstick and like it. They keep it flowing with a big time Boogie On out of the Meatstick jam and then kind of fizzle to the end of set with some questionable placements for Farmhouse and SoL. This RnR jam was something of a revelation at the time, another step up in the jamming department for the band as they had seemed to plateau a bit in this touring year. But by the time the summer had ended there were several great jams to look back on including the one here that started the run.

08.06.2011  The next night got a bit of the second show slump thing as the first set is mainly a collection of decent songs played reasonably well. The Wolfman’s Brother hints at more to come with some Heartbreaker teases but other than that there’s not much of note in this set. Then they come out hot with a Chalkdust second set opener that butts up against Tweezer which is where the real heat starts to rise. The jam goes from white hot shreddery to spacecamp soundscape and then out to Caspian and eventually a nice Sand before coming back to Tweezer. After a few other solid numbers like BOAF and Golden Age>Reba they cap the set with a tease-filled Lope closer and then a Suzy>Sanity>Reprise encore. This show is honestly a bit flat compared to most from this venue which is not to say it is bad in any way but that it lacks by comparison to some very big brothers.

07.26.2013  Once more, Phish kept to their play-it-every-two-years mode in 3.0, coming back to The Gorge in July 2013 for another pair of Friday/Saturday shows. This first night kind of feels like a Saturday Night Rock Out what with the high energy opening quad of Bag>Timber Ho, Wolfman’s, Funky Bitch and then following a nice Happy Birthday shoutout to CK5 they drop into the fist-pumper-pleasing Wilson. Trey stops during the blat boom pause to talk about wanting everyone to chant “Wilson” at Seahawks games and sports a fan made Wilson “jersey” which would eventually result in it being discussed in an official NFL film segment. The second set starts out with a far ranging C&P that kicks off a set filled with tons of teases and the fun looseness that comes when this band is relaxed and comfortable with their surroundings. Listen for a quite well played Waves, a Mango with a bit of outro jammery and a ‘moon jammed’ Zero closer where the band gets a bit howl-y once CK5 turns down the lights. It may not be the best show ever here but the energy from it comes through loud and clear on the tapes. Oh yeah, there’s a 156 show bustout of Secret Smile here too if you like that sort of thing.

07.27.2013  The second night in 2013 also has a pretty standard first set though it does get one of the four performances of Architect (as opener no less!) and the debut of the Mike tune Say Something along with an 87 show bustout of After Midnight to close in honor of the passing of its writer and one time opener for Phish, J.J. Cale. The second set starts with a short-ish but underrated Disease that segues into a fun Undermind that saw Fish hit the marimba lumina (before that was really a “thing”). Light also has a nice if abbreviated jam and on the whole you really cannot complain about a setlist like this one where aside from some possible jukebox-ing is all songs with great payoff. This show doesn’t have the big highlights of some of the others from The Gorge but is a solid set particularly for Summer 2013 which is viewed by some as a bit of a dip before they ramped things up again that Fall.

07.15.2016  And now we get to this summer’s entry and the final pair of shows at this venue. After a much discussed and somewhat jam-lite East Coast leg of the tour Phish had a few days off to make it west for this pair of shows. The first night had many wondering what band they would get out west so when they opened with Tweezer (even a contained one) you knew they were saying “ok, let’s get back to business” in a way. Shedding the distractions of the early summer (i.e. finishing work on the new album, Bernie, etc.) they played a solid if unremarkable first set including the debut of the now loved humorous Fish tune Ass Handed and the 155 show bustout of Old Home Place (perhaps a nice nod to being back in this great place after a three year absence?). The second set starts with another solid C&P from this venue (with an interestingly placed Under Pressure tease considering the general tenor of the fanbase at this point) and then a subtle yet powerful WTU?. From there things turn into something of a tease fest as the NMINML has heavy C&P quotes, Stash gets both C&P and WTU? teases, Ghost gets full band instrument switching and C&P and NMINML teases, Chalkdust gets C&P, WTU? and NMINML teases, 2001 gets C&P and NMINML quotes, Cavern gets C&P and WTU? teases, and the encore Wilson has some Makisupa in it. It is a fun, flowing set of the sort that works quite well in person but sometimes doesn’t hold up as well on tape even though in this case I’d say the energy and impact of the music works even after the fact. It was a bit of a beacon for some who though the sky was falling and another sign for others who see this as The End Times but somewhere between those two viewpoints is a third where this was yet another awesome night at The Gorge with Phish.

07.16.2016  The second night in 2016 is definitely a bit of a Saturday Night Special with the focus seeming to be on high energy rockers at the expense of big jams. I always love a Buried Alive opener so that’s nice and then there are solid versions of 555 and Sand before a rousing Gin closer. The second set feels like an extension of the first in that there is a lot of good playing going on but very few attempts to stretch anything too far beyond its normal limit. The BOAF is interesting and Wingsuit peaks well and the Mike’s is a different sort of jam than typical for the song but I’m not really here to laud the descending runs Trey plays in farmhouse, you know? This show lacks anything of a major centerpiece jam which (as always) doesn’t mean that those there didn’t have a great time but that it feels like a step backwards after the inventiveness of the prior evening’s show. Thankfully for us every night with Phish gives us something a little different so I guess we will just have to see what that next one from this wonderful venue provides.

Let’s see the tale of the tape for this venerable tour stop…

Venue:  The Gorge Amphitheatre

No. of Shows:  sixteen

Intangibles:  unique, beautiful venue with amazing views of the natural splendor of the Columbia River Gorge and an open, all-GA atmosphere. band seems to enjoy playing here as shows from the eight separate pairs of shows performed. on site camping and other close by amenities make it a relaxing destination for Phish. something about the vibe here always comes off as laid back and relaxed, showing up in the music performed which tends to include patient takes on the songs.

Recurring Themes:  Divided Sky sunset jams (ok, only three times but they are all great), Wolfman’s Brother (only song played seven out of the eight visits), Hood jams often with the “lights out”

Key Jams/Songs:  1997 – Theme, Ghost, Divided, Wolfman’s, Disease->Tweezer, Hood, Gin, Foam, LxL, Julius, Taste; 1998 – Reba>Fefy>Circus, Julius, Moma, Bowie, Tube, Ya Mar, Gumbo, Divided, 2001, Mike’s>Paug; 1999 – Fee>Jibboo, Melt, Free, Wolfman’s->Sand, Meatstick->Maze, Caspian, Hood; 2003 – Taste, Maze, Piper, Tweezer, Ghost, Round Room, Wolfman’s, Seven Below; 2009 – Sally, Light->Taste, Gin>Hood, RnR->Makisupa; 2011 – Taste>Roggae, RnR->Meatstick->Boogie, Tweezer>Caspian>Sand->Tweezer; 2013 – Wolfman’s, C&P, Waves, Mango, Disease->Undermind>Light->Sally; 2016 – C&P>WTU?>NMINML, Ghost->Chalkdust, 555, Gin, BOAF, Wingsuit, Mike’s

PJJ Ratio:  2.50 (please see the Shoreline post for details on this)

This venue presents a pretty solid case for one with a high number of jams per capita. Phish always seems at home when they play here and each run has something we end up discussing for a while afterwards. For my money you cannot beat that second set on 07.17.1998 but having been here eight different times over several eras Phish at The Gorge offers something for everyone.

With The Right Device You Can Make A Pattern Grow – The Venue Project

For a while there has been a smaller project that I have wanted to take on, one that seems to get hinted at and asked about in the various Phish social media circles though I have yet to see a full breakdown of the idea in any one place. It is a notion that flows into many conversations that you hear about the band with broad statements like “they always play hot shows at Deer Creek” or “I cannot wait to get back to the Mothership” or “hands down, Dick’s is the best venue for Phish these days and they always slay it there” and the like being so common as to become part of the band’s folklore. But just how true are those statements?

 

In order to figure out a somewhat reasonable answer to this question I propose to take a look back at the venues where Phish has played most frequently and put together some form of summary/breakdown of the music that the band played to see if there really is a connection between the setting and the music as we often think. This endeavor will require some heavy lifting first in breaking down all of the various names both corporate and otherwise to figure out the correct number of times played at a particular place and then diving in headlong to try to make some sense of the history there. We will go about setting some criteria in a bit but some of the considerations that I am thinking about include:

  • setting a minimum number of times played as a baseline – this will obviously exclude some of the fantastic “one timer” venues and places where they might’ve only played a couple of shows but if we don’t cut it somewhere it will end up being a full history and a highly subjective undertaking at that
  • evaluating the music played – this is about as subjective as it can get but at a certain level all of this is so we will try to look at the relative “quantity of quality” in the performances including possibly using outside resources like PJJ to see how others have “valued” the music therein
  • special venues – while I could be swayed by a persuasive argument (nudge nudge, wink wink) otherwise my inclination is to keep festival settings out of the conversation though to be honest most will not qualify for the minimum number of shows if it ends up where I think it will
  • the venue-specific factors – what about a venue contributes to the whole experience? This could include acoustics, proximity of band to crowd and sightlines, slapback, whether they have good nachos or just that goopy fake cheese bullshit, and the like. While perhaps not as important on the surface, these factors can and do contribute to the overall experience.
  • intangibles – this is the stuff people point to that has no objective basis but has become part of the story. Stuff like the prevailing vibe of the crowd in a room, the hype surrounding the shows and venue itself, how hard a ticket might be to acquire, etc. There is some bleed between these factors and the venue-specific ones.

I’m not really looking to get too granular with it such that the overall intent is lost in the details so obviously the primary focus will be the music played. I think this can be a fun little project before heading into another full tour review and also so that I’m not overlapping my way back posts with the new stuff coming out on Fall Tour in just a few weeks. I’ll have another, more detailed post to set about establishing the criteria and putting together the list of venues in consideration but until then let me know what you think in the comments.

 

What is your pick for Phish’s best played venue throughout their history?

Crossword and Painless

First and foremost I want to thank everyone for reading along as I worked my way through the Fall 1996 Tour. While a lot of this was a personal journey in reconnecting with an important time in my life with Phish it was nice to see that folks were enjoying the reminisce themselves. Over the years this band has given us seemingly countless moments of eternal joy and splendor and it is often rewarding to go back and touch that feeling by recollecting what we can of those times. I have yet to decide what tour I might tackle next but I am enjoying this here three tours in and want to continue. So read along if you so choose; I’ll be here slinging bad prose and questionable takes on this wonderfully strange band that we cannot seem to stop following.

 

Now on to the puzzle!

 

I had never built my own crossword puzzle before but as a person who completes them at an unhealthy level of obsession I felt like it would be a fun thing to try and a neat way to kind of recap this tour review. There are some websites out there that help you build a puzzle without too much heavy lifting, mainly relying on you for the clues/answers with the format and structure being constructed by their program. So as I went along the tour I kept track of things that might make good crossword clues/answers and by the end of it I had a pretty healthy list of stuff to work with in putting it all together. I checked these clues more than once yet somehow seemed to miss a couple of things but based on the submissions I received it appears that my minor mistakes didn’t derail people too much in getting this figured out. Here now I post for you the answer key with the following notes regarding the ones that have been found to be not completely correct or somewhat misleading in some way:

34 Down – Clue says the answer was an encore in 4/5 times played but it was actually only two of the five (Johnny B Good, “JBG” in crossword)

50 Down – The clue is stated correctly but I misspelled the answer as “LEE” when it should be “LEIGH” as the then Lighting Tech’s name is Leigh Fordham which we would all become a lot more familiar with once the song 46 Days was written and performed

76 Across – Clue says the answer was played thrice but it was actually performed eight times (ACDC Bag, “BAG” in crossword)

Clearly, I need to hire a new proofreader because the one I have (me) kinda stinks at it…

 

The Answers!

Fall96AnswerKey.jpg

So how did you do? Admittedly, there are more than a few clues here that aren’t ones you might know off the top of your head without having either read my posts pretty closely or by using outside resources like PhishStats or all of the tracking information on phish.net but that’s totally fine by me as i think that is a part of how we digest Phish in this day and age.

 

I ended up getting seven complete or mostly complete entries for the contest and after checking them all I had three that were complete and 100% correct. From there I used the randomizing services of my in house accounting firm “Twin Two Year Olds, Ltd.” who monitored the proceedings and helped with the picking out of the hat for our winner. And that winner is…

 

Ari Metz! 

 

Congratulations, Ari, you will be receiving an email shortly from LivePhish with the Gift Certificate code for you to use in getting yourself a download.

 

Thanks again for all who submitted entries and for all of you who have been reading along. Let’s enjoy the weekend at Dick’s and then maybe y’all can help me figure out which tour to dive into as we head into the Fall…

Waiting, Calculating – Puzzling Our Visit to Fall 1996

Okay, let’s have some fun and do a little contest thingy. I’m kind of obsessed with crossword puzzles and phish (not necessarily in that order) and I thought it would be fun to bring the two together. Note that there are old threads on .net and other places where fans have made puzzles before so this isn’t exactly new ground being covered, just my take on the idea. All of the clues for this puzzle can be figured out if you have been following along on the Fall 1996 Tour and most even without that.

 

So here’s the contest.

 

  1. Download and print out the Fall96Crossword and clues.
  2. Complete the puzzle.
  3. By the deadline (more on that below), email me your completed puzzle.
  4. I will then pick one winner at random out of all 100% correct entries as the winner

 

The prize for this little game? A gift certificate redeemable at http://www.livephish.com for one Lossless Download of the show of your choice. That’s nearly a $13 retail value! If you want the HD version the upcharge is on you, bub. I’m already giving you the lossless you should be spinning anyway.

 

The deadline for submissions will be August 25th at 11:59pm Eastern Daylight time. That way I can have the winner announced and awarded prior to the next scheduled Phish shows in case that individual wants to grab one of them. Please email your completed entry to me at typeiiijpd at the gmail place.

 

UPDATE: Apparently I cannot spell certain people’s names correctly as the answer for 51 Down is the more common but incorrect spelling of that person’s name. The correct answer would be five letters which won’t fit in that three letter slot so if you think you know it but it will not fit there’s your reason. I have it incorrect. And if it fits for you, well, that probably means you have been spelling it incorrectly all these years.

 

The downloadable versions are linked above but here is the grid and clues for reference

Fall96Crossword

crossword clues text_Page_1

crossword clues text_Page_2

Okay, got all that? Now get to it!!

I’ll Show You Mine If You Show Me Yours – My Final Fall 1996 Takeaways

Well, it has been a long and winding road to get here but today we finally get to the wrapping it up bit for our journey through the Phish Fall 1996 Tour. I have really enjoyed this entire thing and have gained an even bigger appreciation than I already had for this tour and year – and let’s face it, I was already a champion for it to begin with. We Phish fans like to throw around superlatives and proclamations about what era/year/tour/show/set/jam/run of notes is TEH BEST EVAR!!!! which gets to a whole ranking of art thing that is really not what I am about. That’s not to say that certain shows or songs don’t have versions that speak to us more directly (or more simply: that get our rocks off as hard). Personally, I find that getting too wrapped up in that way of thinking misses the point  though I understand the desire (need?) to do so. Avoiding all the obstacles that terrorize my view, I will instead give you a bit of where I am with this tour after putting in the considerable amount of time it has taken to get us here today. So without further ado, here are my personal thoughts and takeaways from this wonderfully entertaining run of thirty-five shows numbered here for list purposes but in no way ordered or ranked…

 

  1. While perhaps not as defined as other years, the prevailing sound and feel to 1996 and the Fall Tour in particular is unmistakable. This is a band in full control of their art doing what they do best while also working towards what will be perhaps the biggest evolution in their sound.
  2. If I had to give a name to the style of jamming Phish employs most regularly during this tour it would be “Percussive Groove” which is a term I have thrown into several posts. This type of jamming can but does not always include Trey hopping on the mini-kit.
  3. In this time period Phish was very open to having guests join them on stage, something they have been open about not wanting as much here and now. It doesn’t always work but sometimes it comes together in big ways resulting in unique takes on the music we know and love. And then sometimes it becomes something even more influential…
  4. The impact of Karl Perazzo’s “mini tour” with the band cannot be overstated. That first show in Tallahassee includes what I consider to be the first proto-cowfunk jam in Mike’s Song and by Coral Sky you can hear the excitement in their playing as they toy with this new found groove-based jamming. Obviously the practice and performance of Remain In Light is integral to this similar to how each Halloween album seems to fit with where the band is at that time and where they are headed.
  5. Speaking of Halloween, others have written about how covering the Talking Heads can be argued to be the most important of the costumes Phish has worn over the years in how it changed their sound. I definitely agree with this notion and all you have to do is listen to how this tour progresses to start nodding your head in support of that observation. Heck, they even as much as confirm it when talking to David Byrne himself.
  6. I’m not going to lie, I had a difficult time trimming the takeaways list down into a more manageable yet still pretty large final list. Some of this might be related to my personal preferences but I think it also speaks to just how well the band was playing throughout this tour.
  7. There is a pretty interesting argument to be made that parallels between 1996 and 2016 can be drawn. Huge high point the year prior, perceived slip “backwards” by some/many in the fanbase, notion that work on album has detracted from band’s live performances… which year am I referring to???
  8. Though I am not a ranker I do have some thoughts on end of tour awards. So here goes:
    1. My pick for Jam of the Tour goes to The Rupp Gin (11.07.1996). This multi-phased beast stands the test of time and combines all of the elements of the band in one wide-ranging piece of music.
    2. The song of the Tour is Simple. Each of the ten versions played has something worthwhile to take away (though you will see below that I did not include every one). I am very comfortable saying that this was the best tour for Simple in the band’s history. It really isn’t even close.
    3. Like Simple, a few other songs had notable highs for this tour. Disease, Hood, Reba, Mike’s, Tweezer, and even stuff like Ya Mar have multiple versions that are well worth your time. While the open psych jamming of 1995 is mostly missing on this tour where they take these songs is quite engaging and indicative of the larger points above regarding the band’s development and progression.
    4. The show of the Tour is a bit tougher to unravel. The easy answers are 10.31 (Atlanta) and 12.06 (Las Vegas) but depending on your favorite flavor of Phish I could understand arguments made for others like 11.02 (Coral Sky) or another of the PerazzoPhish shows, 11.07 (Rupp), or possibly even something like 11.15 (Kansas City) or 11.16 (Omaha). In the end you simply cannot deny the three sets of wonderful music they created on 10.31. As much as I laud 12.06 as a personal favorite that Halloween show stands out above the rest.
    5. Best sit-in of the tour is easy due to the PerazzoPhish thing but in terms of best sit-in song performance it has to be the Crosseyed from Coral Sky. I’m choosing that over perhaps one of my favorite one time covers they have ever done, The Great Curve, which should tell you something about what I think of that C&P.
    6. Biggest “holy crap I cannot believe what they just did” moment of the tour is The Note in the Omaha Hood. Just a shade under three minutes of Trey holding the sustain, egging the crowd on while the rest of the band goes off and elevates the thing to a ridiculous energy level. It might not be the objective ‘best’ Hood of the tour in a strong tour for the song but holy hell if you don’t get amped by that I’m not sure what to say.
    7. The runner up to The Note might be the wild ‘Groove Is In The Heart’ YEM from Kansas City. It wasn’t the first time they had done something like that in YEM but the way it develops explodes into that funkified dance party might just make you start laughing uncontrollably.
    8. Best bustout of the tour is All Along The Watchtower with Buddy Miles and Merl Saunders not just for the song but for the great version they played with those esteemed guests. As a reminder, do yourself the favor of watching the backstage videos that have popped up from that night. They are easily found on YouTube.
    9. Funniest on stage thing from the tour is a bit tougher to nail down simply because of the variances in what each person finds humorous. The entirety of the Harpua suite in Vegas tops the list for me but you might prefer the Fish stumbling through Bike in Lexington bit or the Mule->Catapult->Mule zaniness and that is perfectly okay.

Okay, that’s enough of that. Let’s get to the final playlist that you might have espied over there in the sidebar player.

 

I mentioned in my initial post about takeaways that I had pulled 176 tracks out as either ‘tier I’ or ‘tier II’ highlights from all of the shows for the tour. Well, as I started to go back through it I added in two more tracks to the list so it grew to 178. With this list in hand I went back and listened to every song on it again, taking notes along the way and bucketing songs into “yes” “no” and “maybe” for inclusion (or not) in the final list. After the first pass I still had 150+ tracks at either “yes” or “maybe” so I went back and cut it further to the list you will find below which comprises the 109 tracks that I feel are worthy of inclusion.

 

Before moving on I’ll just give the typical disclaimer that given 99 Phish fans there would be 99 different lists because we all listen to the same shows but hear the music differently based on where we come from, how that shapes us as listeners, and where we are in that moment. There should be no judgement of a person’s personal take on the music and no proclamations of certainty with respect to this art as both reactions serve nothing but the selfish aims of the judge and/or proclaimer. Trying to make objective claims about the subjective is fruitless and undermines our ability to find connection with others in discussing this wonderful music. You may not agree with what I value in this art and I may not agree with you but the fact that we are both engaged by it should be the basis for finding ways to engage with each other.

 

Okay, we good? Here’s my list with the scribblings I put for each just so you can see some of how I got to where I am on these.

fall 96 takeaways_Page_1fall 96 takeaways_Page_2fall 96 takeaways_Page_3

It’s a big list, I won’t lie. And there are several songs for which I included multiple versions for one reason or another. But this list to me gives you a good glimpse of what Fall 1996 Phish was all about from the big jams to the sit-ins to the bustouts to the crisply played standard stuff and beyond. If you are interested in listening to this outside of the player on this site I have uploaded it for you to take away yourself. Note please that I have included my spreadsheet of the culling for your referral and potential amusement in getting into my head on this. The two files break down such that PH.Fall96.Final.1.zip has everything through Sat. Louis (and includes the spreadsheet) while PH.Fall96.Final.2.zip has the rest of the tour starting in Omaha. All of the tracks here are mp3 auds from the sources on The Spreadsheet but if you like what you hear and are itching for sbds there are a few shows from this tour available for purchase at www.livephish.com, namely 10.31.1996, 11.02.1996, 11.07.96, and 12.06.1996. If you do grab the mp3 files linked here please note that there are a couple with id tagging errors due to where I pulled them from. This includes the two tracks from 11.03.1996 Gainesville not having any band/album info included and the 11.16.1996 Kansas City tracks being tagged as Nashville, TN for some reason.

 

Fall 1996 1 (Lake Placid through St. Louis)

Fall 1996 2 (Omaha through Las Vegas)

 

So there you have it! I’d love to hear what others took away from this tour so please feel welcome to comment here as I am certain that my musings on this tour are far from the only opinions out there.

 

I have one last Fall 1996 thing to post once I have it ready but that’s for another day. I’ll tease you by saying it is contest with a real live prize and everything but in order to win you will need to know your stuff about this tour. Start studying!

Seven Years On…

I think I share the view of most of us when I say that my life would be a lot different if Phish had not gotten back together in March of 2009. I was never comfortable with how it all ended in 2004 (spending the night on that highway and then getting turned away without ever having gotten within 25 miles of the venue didn’t help but I’m not here to dredge up that particular set of feelings or all of the circumstances that caused it to end in that way for me…) so I was left in an odd place having lost one of the things I loved to do most in my life. Now, I didn’t exactly sit around wallowing in misery as at the time I was quite busy with l-i-v-i-n’ but it did leave a hole. Granted, by the time that all happened I had moved on a bit from the singular obsession that was my life with Phish from about 1993 to 1999 as Hiatus showed us all that this wasn’t permanent and was going to end eventually. I guess we all just didn’t expect (i.e. want) it to end the way it had.

 

We all endured The Long Wait in our own ways and that is not what this post is supposed to be about but I will say that for me it was an opportunity to broaden my musical horizons a bit looking both forward to newer forms of music I had then yet to explore while also going back to music that I loved from even before my many years with Phish. Some of us used this time to get serious about careers, family, personal growth, and other endeavors. Some of us used it to get clean. Whatever you did during those four plus years I hope that like me it gave you a more full appreciation for what having Phish in your meant for you.

 

When that announcement video for the comeback dropped on 10.01.2008 it was a something I never expected to happen. I had moved on and expected that the only Phish I would have in my future was already in the past. Here was this band that I had devoted so much time and energy to coming back from the dead and offering the chance for redemption, both for them and the fans. This wasn’t Trey playing a tour in his newly found sobriety (though those Fall 2008 shows were pretty fun…) or two band members being in the same room for a night or something, this was PHISH! And they were coming back! Pretty much immediately I knew that I needed to be there to see the return and to reconnect with the scene I had been a part of for so many years.

 

Luckily for me, my wife is also a fan of Phish. Well, maybe not always lucky due to it complicating the ease of finding tickets or deciding on a whim to drive five hours to catch a single show but at least she gets it. Being a few years younger than me her start with the band was a bit later than mine (my first couple of shows were as a teen in 1990, hers were also as a teen but in 1995) and we never knew each other in either of our prime show going days but we have triangulated a pretty large number of shows that we both have attended which is fun when you think about how close we were to meeting but never having that occur. It really makes you realize how small one’s circle within the greater Phish world can be. I bring this up to say that obviously we would both be trying to go which meant securing a pair of tickets for each night to what would easily be the toughest Phish tickets ever.

 

You may be wondering why I am writing this here on March 7th instead of yesterday which is the day that marks the triumphant return for the band. It is relevant for me because I missed that first show though honestly it really doesn’t change anything for me having caught #2 instead of #1. You see, along with everyone else we tried to do mail order (fail!), we tried to do the general onsale (fail!), and we scoured the then unsophisticated online ticket resources in search of our pair. At that stage I was not active online on any of the Phish community sites that had developed over the early years of the internet so I didn’t have those connections to go to to try to make it happen. And even though we didn’t yet have kids in our life we were not in a financial position to shell out the many-times-face-value asking prices of the hundreds of people scalping tickets to these shows. We tried to get creative, putting up craigslists posts about how we were huge phans (yes, we probably used the dreaded ‘ph’ too. ugh) and we really wanted to go and blah blah blah but so did everyone else. I even bought the Clifford Ball DVD set early when they had that raffle for a pair of tickets to the shows and entered some of the more questionable ebay and craigslist raffles to increase our odds hoping that might be a way to hit on getting our pair. The real gut-punching part of it was that my best friends had hit big time in the lottery, scoring a pair for all three nights which just made it more depressing that they would be able to go and we wouldn’t be able to share this together as we had so many other adventures around the world. And so at a certain point in the months leading up to the show I resigned myself to the fact that this probably wasn’t going to happen. We live in New England and with the shows about 600 miles to the southwest the prospect of driving down there ticketless to fight it out with all the other people from the region (and country, honestly) looking to do the exact same thing wasn’t exactly looking too enticing. It appeared that I would miss out on this epic event just as I had missed Big Cypress (friends bailed on me a month before the trip was to happen and I wasn’t about to drive almost 1,300 miles alone) and Coventry (already covered, won’t go into the gory details) making this just one more big Phish event I had not been able to experience in person and in the moment.

 

And here is where it gets fun. We continued to work the secondary market to try to get tickets, giving ourselves a cap on what we would spend above face in order to make it happen. My friends also worked hard for us, looking at anything and everything with pretty constant text traffic going on between us as we worked the system of the time. My wife went all in here, emailing and calling dozens of people who had posted anything remotely promising to try to get some tickets. Finally we had a bit of luck as there was someone local who had tickets due to being an old friend of Trey’s from high school or something but who couldn’t go to all three shows because it would probably have caused a divorce with his wife so he had a pair for the final night that he was willing to part with. Okay, that’s a start! We can build from there. Now being able to focus on two nights instead of three we doubled down our efforts aaaaaaand struck out. Royally. Like it seemed that every avenue had closed and being only a couple of weeks prior to the shows the already dry well had gone over to dust. This was depressing. For only the last show it didn’t really make too much sense to make the massive trek (even if I had done similar things in years past).

 

Then something happened that I will never forget and never be able to fully express my appreciation for to the people who did it. My friends traded their pair of tickets for the first night to get a pair of tickets for the second night to get us in the building. I still can’t believe it writing these words seven years on. They had given up seeing the return for us so that the four of us could share the weekend together. This was (and is) one of the most selfless things I had ever had happen to me. I was so incredulous that I asked my friend over and over whether he really wanted to do that and his answer every single time was a simple “yes”. Now that I think back on what they did for us it speaks not only about the very close friendship that I have shared with these wonderful people for now more than 23 years but also to what this whole community really can be for us. Yes, in a lot of ways this Phish obsession of ours is a largely selfish (or at least self-centered) thing as we spend thousands of dollars and spend so much time trying to get to shows at the risk of potentially alienating loved ones, derailing careers, and other not-so-forward-looking behaviors but at the root of it (get ready for the cheesy lyrical reference!) it only works when we are ‘sharing in the groove’ and not when we are only thinking of ourselves.

 

This really opened up a big thing for me personally as I guess up until that point I had primarily looked at Phish as an escape from my life rather than an integral influence on it. For most of my time in 1.0 traveling all over to catch shows I had almost been embarrassed to share that information with my coworkers and non-fan friends (family understood well as both of my older brothers had steeped me in the Dead tradition at an early age and our parents were open to our excursions as part of our life experience), instead ‘hiding’ it under half-truth descriptions of my trips or simply deflecting to other conversation. But here was the touch point for me in really bringing home the point that the shared experience had greater impact than something wholly individual. Conceptually it was something I already had bought into – particularly with these friends who I had traveled through Europe with amongst many other very memorable times over our life together – but in the Phish context I had never really put all of that together in this way. Sure, I had had many moments of losing myself in the sea of people that make up the Phish crowd (I had a particularly introspective moment atop the hill at the Clifford Ball but that is a story for another time) but never had it coalesced that I was anything more than just another ticket holding fan who was really into this weird band.

 

So we followed the lines headed south, picking our friends up along the way, and arriving in Hampton about the time the band was coming out for their encore on 03.06.2009 and made our way to our hotel to get settled for the two shows to come. We first hit the lots during the day of that second show and all of those feelings returned once more as we exhaled our normal lives once more and breathed in this new life for Phish. When the band came out and opened up with Back On The Train  (oddly enough that video is filed from pretty close to where we had camped out that night) it was yet another example that the band was connected with us as that was pretty well the perfect sort of opener for me in that moment. The balance of those two shows were invigorating in a way I had forgotten Phish could be and left me wanting more in that way you all know. Our band was back!

 

Wishing to keep that going in some way I now looked outward to find connection with the like-minded folk I had missed so much without ever realizing it. And with that my Phish internet life began, first in lurking dribs and drabs and then eventually as a contributing commenter, and eventually leading to you reading this today. So many things have happened for me in the years since Phish has returned that it is hard to imagine my life now without that as part of the story. Thankfully, with the current state of the band being as positive as it is I don’t have to imagine that. My life is enriched by Phish and the exposure it has given me to all of these amazing people who follow them just as I do. These days at shows I find myself observing all of those connections that occur between seemingly disparate people who this band has brought together and that does almost as much to fill my cup as the music. Almost. I jest, but that aspect of the Phish experience is something I cherish now more than ever and what I take forward with me when the show is over. It influences my mood, my attitude, and my outlook and helps me to work to find connection wherever I can in all aspects of my life. And that? That is really what IT is really all about…

Nervously She Fumbled For The Pouch: An Important PSA

Hello friends.

 

I am here today to speak with you about a terrible affliction that has plagued members of the concert-going public for practically as long as there has been music. I speak, of course, of Pockets Syndrome, a malady so infernal that each show tens if not dozens of addle-headed fans of live music succumb to the effects of this horrible scourge. While perhaps not a “deadly” disease or something with long lasting outward effects, Pockets Syndrome can severely impact a person’s ability to lose themselves in the music due to the invasive symptoms that manifest once the onset of the disorder has begun. There are other residual impacts that can be psychological, spiritual, or even metaphysical in nature depending on the prevailing mindset of the afflicted both during and after the onset of the attack. Our goal here is to shine the light of awareness on Pockets Syndrome so that you can be better prepared to avoid its grasp, recognize the symptoms in members of your crew to enact early intervention protocols, and also so that we can all help to spread the message of support to those who may be susceptible to this dreaded condition.

 

Pockets Syndrome, or “profunda loculos inordinatio” as it is known in certain research circles, is a mainly mental affectation where the sufferer perceives that items placed in pockets (or other holding devices on or near the person’s body) during a concert — typically a rock and roll concert that leans more towards the open jamming, psychedelic sort — can appear, disappear, and move between various catchments. Symptoms may include but are not limited to:  stress, anxiety, confusion, wonderment, thirst/dry mouth, loss of marbles, disconnection with the music being performed, disbelief, the condition known as ‘hot dog fingers’, shock, sadness, anger, befuddlement, fidgeting, and more. Side effects include: inability to communicate with others, lost sense of time and place, total lack of awareness for surroundings, lack of available funds, at a loss for words when buddy asks “hey, man, where’s the weed?”, incapable of helping out the dude who needs a light, potentially mentally scarring deep dives into introspective questions about the nature of objective existence, and being the temporary laughing stock of your friends and section mates.

 

It should be noted that Pockets Syndrome should not be confused with the similarly named Pocket Syndrome (“Piriformis Syndrome” — sciatic pain caused by having a ‘Costanza’ sized wallet in your back pocket all day) or Phantom Pocket Vibration Syndrome (that feeling that your phone is buzzing away in your pocket even when it is not even in your pocket. maybe put your phone down for once?). While both of these disorders can be related to Pockets Syndrome and often occur simultaneous with it no direct link between these has yet been found. However, if you find that you are experiencing symptoms consistent with either of these debilities it is highly recommended that you check with your doctor, shaman, or at least consult reference materials a bit more real than this.

 

Pockets Syndrome most commonly impacts individuals who are not necessarily in what medical doctor types might call a “sober state” though there have been reported cases of individuals who are so overcome by the music as to exhibit the tell tale signs. Generally, it manifests once the lights go down and the music is getting everyone moving. The subject decides he or she (while predominantly a disorder associated with males there are numerous case studies of females and persons of other gender types who have been inflicted) has something desirable in his or her pocket(s) and therefore decides to take that item out of said pocket(s). However, upon placing hand in pocket(s) to grab the item the subject is unable to locate it, resulting in some if not all of the symptoms and side effects listed above. In some cases these symptoms can be further exacerbated by the subject knowing that the item is in a particular pocket only to locate it in a different pocket OR checking all pockets without successfully obtaining the item and then rechecking pocket(s) and having the item be easily accessed where the subject thought it was in the first place.

 

Now, you may be reading this and thinking to yourself that you would never allow yourself to get to the point of lysergic susceptibility that often precedes the onset of Pockets Syndrome. And I was once in your shoes as I thought — nay knew — that it could never happen to me. But it can. And I am here today speaking to you only by the grace of the house lights coming back up at the end of each set and my hands and mind finally working together with my eyes to allow me to find those lost items that had disappeared into my infernal pockets. But even having experienced this malady several times in the past does not keep me from being another potential victim at my next show.

 

Perhaps you will be able to avoid Pockets Syndrome by wearing clothing that requires another person to tote your belongings for the evening, like these classy Dickies pants or these lovely ladies’ jeans in which case I feel bad for whoever you get haul your crap because no one should have to be your sherpa during jam time. Or maybe you stay healthy by removing the influences that contribute to it by not bringing in anything with you to the show because you really don’t need to have anything with you inside the venue to which I would respond you are either quite fastidious, well disciplined, or just lying to yourself. This person is the type who will ask friends for whatever it is they “forgot” to bring but you aren’t fooling anyone, mister. We pocketed people are on to your shenanigans. The reality is that all of us can contract Pockets Syndrome without warning. And with that in mind I’d like to provide some tips on how to live with Pockets Syndrome and how to identify the signs in your friends so that we can attempt to rise above this menace.

 

Tips For The Pockets Syndrome Sufferer

  • Before you head into the show, ask yourself the following questions:
    • Am I wearing clothing with pockets?
    • Do I have too many pockets?
    • What do I have in my pockets right now?
    • Can any of these items be left behind?
    • Are there any items that I may come across this evening that would “need” to be added to my pocket inventory and am I ready for that added baggage?
    • Is my SLF or any of my friends going to ask me to hold anything in my pockets for them and can I accommodate that without added PS stress?
  • Once in the show, do a quick pocket check to identify what you have on your person — and where. Having information on where items should be can help to minimize the lasting impact of seemingly lost items.
  • If time and mental state permits, mentally catalog where each item resides. For example, if you have a cell phone, wallet, ticket stub, lighter, some prerolls, a setlist notebook, and a pack of gum try to determine which pocket each item is in currently so that you can quickly ask answer your internal monologue with “yes! my setlist book is in the left butt cheek pocket of my jeans and shall go back there every time I intend to replace it in my pockets”
  • Whenever possible, place any items that 99% of people would consider trash into an appropriate receptacle as soon as possible, removing that item from your pocket inventory forever. This includes empty packaging for… stuff…
  • For paper money, try to return it to your wallet/money clip/stash bag rather than just cramming it into your pocket. Pocket clutter is a major contributor to Pockets Syndrome onset and crumpled money is one of the most common instigators in this regard.
  • If you start to feel anxious or at all concerned that an item you know you had with you via your preshow inventory is now not present, stop and take a deep breath. Rather than dig your giant meaty hand into that small pocket and root around to try to feel it remove all of the pocket’s contents into your hand (if possible, I have no idea how big your hands and pockets are, man) and visually confirm that the item is no longer there. Repeat as needed for all pockets until the item is located.
  • In the event that searching all pockets thoroughly still does not produce the item, do a scan of the floor, seats, and other areas around you if possible. If you have a coat, well, now you have even more pockets to search, buddy. You should have thought of that before you went with the whole need-to-stay-warm plan of attack for this night.
  • Assuming the item still eludes you, quiz your friends to make sure they didn’t receive it from you at some point. This is most commonly related to lighters, packs of smokes, “stuff”, and other stuff. NOTE: unless it is an emergency (and I mean a real emergency, not some tripper nonsense) avoid having such conversations during jams at all costs so as to not impact the enjoyment of said music by your friends and neighbors.
  • Still can’t find it? Fuck it, man, just close your eyes and get back to dancing. It’ll all work itself out post show during the time when you and your friends want to sit and chill in the seats but the venue staff is really trying to get you to leave because it is now close to midnight and their shift captain told them they aren’t getting any overtime so clear those damned hippies outta here like right now. Be respectful and only brush them off like once or twice because they have families too, spunion.

 

How To Spot Pockets Syndrome And Assist Your Friends

  • Has your friend taken drugs? Like, psychedelic drugs? If so, your friend may be at risk. Note: if you or your friend has rainbows spouting forth from their forehead, you can assume that Pockets Syndrome is a definite risk to begin at any time.
  • Is your friend in control of any items that you may want to have access to throughout the show? If so, you may put your friend at risk for onset symptoms by asking for such items.
  • Does your friend like to smoke/drink/eat/write down setlists at shows? These are inherently risky behaviors that could beget Pockets Syndrome.
  • In the middle of a particularly heavy bit of jamming, while you are rocking the fuck out take a look at your friend. Is he/she getting down as hard as you are or are they patting pockets, rooting around wrist-deep in every fold of fabric of their outfit, and possibly holding a lighter or cell phone down near the floor? If so, your friend is experiencing Pockets Syndrome.

But you can help.

  • If you and/or your friends partake in mind-expanding journeys, have a frank discussion about the dangers of in show pocket use before you go.
  • Know you and your friends’ pocket choices. The well informed comment in the ear of a Pocket Syndrome sufferer can guide them out of the fit and back to the path of musical surrender.
  • Offer to hold anything your whacked out pal might need during the show including that random tallboy swilly beer you brought him at setbreak that he totally is not going to drink but has yet to understand does not need to be in his hand all show. This aha moment will be revelatory to him and humorous to you.
  • Do not contribute to the risk factors by asking a friend to carry items for you.
  • If your friend starts “losing his pockets” try to help by asking what it is they seek. Offer to hold any items removed from pockets during the search and assist in replacement activities. Please note that this intervention can and should be reserved to between songs (or at the very least during crap like Sample or some other pee break tune) and during lights up times. Talking and pocket maintenance during jams is a major show faux pas.
  • Under no circumstances should you allow a friend who is known to exhibit symptoms to wear cargo pants/shorts, old school Banana Republic photo journalist vests, or other garments known to be heavy on the pockets. Limiting the number of available receptacles to a person with a history of Pockets Syndrome can save shows.
  • If the situation warrants it and you are capable, provide the item to your friend so that they can desist from pocket searching. However, if you feel this might spark a similar pocket incident for you, shrug your shoulders and tell your friend “dude! wait for setbreak, yo.”
  • If none of these steps work and you start to understand that this will impact not just your friend’s enjoyment of the show but yours as well, tell them to forget about it; the music is more important.
  • If even after all of this symptoms persist, tell your friend you are going to try to get some more dance space and relocate until you know it to be safe to return. Screw that guy and the trip he’s on!

 

Please note that these tips and suggestions are by no means a complete list. There is very little reliable literature to be found on this subject and you may find you have ways of dealing with this illness in ways that are more appropriate for you and your crew. The worst thing you can do is to ignore the symptoms. As temporary as this affliction can be for some, the lasting impacts can be quite damaging. The important thing is for us to acknowledge the risk factors, identify early symptoms, and aide those we can so that they too can return to surrendering to the flow and losing themselves in the music. One day we may live in a world where Pockets Syndrome is nothing more than a laughable part of our past but for now the danger is real. Please do what you can to educate yourself and your friends to this and share what you learn with others so that our mantra of “the next show is the best show” continues to ring true… for ALL fans.